Wax on Radio: Exposition

By Dave Atkinson

Exposition is the brand new album from rock outfit Wax on Radio, which offers an imposing combination of strong vocals, impressive lyrics and emotive instrumentals. Comprised of Mikey Russell (vocals), Sammy Del Real (drums), Harrison Taylor (bass) and Bob Buckstaff (lead guitar), the group formed in Chicago during 2004, and first jammed together in Mikey’s mother’s garage (how Rock is that!). The four guys hit it off immediately, and have not looked back since.

The diversity of sound on the album is striking from the very first track. Drawing on a plethora of influences, ranging from classic 60s and 70s rock (Mikey and Bob collect old vinyl records from this period, and the band’s name is a tribute to the great vinyl era!) to Latin and more contemporary sounds, Exposition offers a veritable melting-pot of sounds and ideas. From subtle, acoustic performances (such as Track 1), to full-band studio recordings, the honesty and emotion of the music is captivating throughout.

While the band has moved far since their garage jamming days, the album retains the energy and coarseness of a live performance. Through the electrifying guitar work, feverish beats and distinctively raw, angst-ridden vocals, Wax on Radio’s music evokes the melior of the Chicago pub scene—complete with dimmed lights, complex alcohol odours, and tobacco stains. The ability to transport the listener into such a different setting is impressive, and gives another dimension to the music, adding spice and substance to the sound.

As with many bands, Wax on Radio finds its hook in the vocals of Mikey Russell. Russell’s vocals are compelling from the outset through their intensity, emotion and unique sound. With a voice perfectly suited to the frustration and angst of the album, Russell’s arresting vocals cut through the complex energy and beat that surround him, demanding attention and captivating the listener. Despite this aggressive energy; however, there is a subtlety and gentility to Russell’s vocals that is surprising.

The only small criticism of the album is the use of lengthy, instrumental finales on many of the tracks. While the experimentation and quirky aspects of the music are, on the whole, used very successfully—the instrumental finales seem unnecessary. While the guitar and drum work is superb (as it is throughout the album), the sequences do tend to drag on for too long. After more than one listening, many people may simply move onto the next track, rather than having a lengthy ending detract from an otherwise excellent song.

Everyone will have a different opinion about this, and many may love the creativity and skill with which the band has prepared these musical segments. There is certainly a musical, creative proficiency—that much is undeniable. The band must be congratulated for it. I would urge everyone to listen themselves, take in the sounds and make up your own mind!

The creativity and emotional complexity shown on Exposition is impressive. The band members are still in their teens or very early twenties, and with musical maturity beyond their years and a compelling sound and energy, the future seems bright for this impressive rock outfit!